Scale Mail Halter Top - Part 3

Linking all those scales together can be a chore, but the result is so lovely, it's hard to complain.

Updates this week will be light and I'm building up inventory for Madison, but I'm looking forward to jumping into this project again when I get back.  Look at those cap sleeves!  I just want to spend all day working on this.

But for now, I'm making plenty of new designs, like little star earrings:

Scale Mail Halter Top - The Beginning!

I'm lucky enough to know a lot of talented, interesting people.  One of them, MsPixy--burlesque hostess, performer, and producer extraordinaire--commissioned me to make her a scale halter top for GenCon.  After a couple meetings, we settled on a bronze/gold number with a fake leather back. 

I started working on this in June after teaching at Bead&Button, but here are some photos of my creative process so far.

I try to keep all of my ongoing projects in little plastic bins.  It's a small attempt at staying organized.

With scale projects, I always start by linking together many pairs of scales.  I get the quick feeling of accomplishment with every pair I link, and it makes the scale mail process more efficient.

Patterns... I don't know why for the first several pieces of clothing I didn't make any patterns.  I guess the struggle of putting on and taking off bits of scale mail was exciting to me.  In any case, when working on a piece for someone else, that's not possible.  Thankfully, Pixy had some muslin and cut out some pieces like a sewing ninja at our meeting.  Here are the shoulders:

I love watching a piece come to life.

I'll be posting daily updates until the piece is finished.  Stay tuned tomorrow for images of the front of the piece!

Vanessa
Handmade jewelry
Chainmail jewelry

Chainmail for Pippin--recap of the week's work

When I got an email from the people at Pippin to order a new chainmail tunic for their new lead actor, I was happy to take on the project.  Making chainmail for a Tony-award-winning show is one of the highlights of my career. 

So after sending the invoice, I ordered 22,000 rings and got started.

Starting a huge project is daunting, especially when you're working with that many rings.  There were enough rings to fill more than a 14" x 11" x 3.25" bin. 

From working on the chainmail wedding dress, I learned that the only want to get through a huge project was by making lots of little squares and then linking them together.  As soon as the rings arrived in the mail, I got working.  After 2 days, I had made 45 little squares.

After day 3, I had linked 70 squares:

After day 4, I had linked together 95 squares:

 Posting lots of little squares doesn't really give a sense of scope of the piece, so I made another 25 squares and started linking them together into sheets.  (The pliers are for scale.)

Tonight or tomorrow I'll start linking all the sheets together and work on the shaping.  It's amazing how a piece like this comes together.

Vanessa

Handmade aluminum jewelry
Aluminum chainmail jewelry

Bead&Button News and Make Something Beautiful - Day 43

Best news last week: I found out that my chainmaille jacket was juried into the 2010 Bead Dreams Competition in the new Wirework category. I'll be shipping them the 30,000 jump ring, 8-pound piece of clothing some time this week. Considering that the rest of my armor pieces are going to Bead + Fiber for their wearable art show, I'll be chainmaille-deprived for the next couple months. At least my scalemaille piece is almost done.

Anyway, here's the piece I made today. I usually make things out of aluminum, but I wanted to try a golden design today. I quite like it.

Facere pulchrum!

Vanessa

Unique chainmaille jewelry
Handmade jewelry

Make Something Beautiful - Day 18; and a blog about SNAG

I'm finally back in business. I started to come down with a stress-related cold some time last Monday and, in a desperate attempt to will myself healthy for the SNAG conference in Houston, I spent two days in bed, drinking fluids and overloading on vitamins. I managed to make it to Houston with a little cough, but otherwise asymptomatic. (No chills and no fever = joy and rapture.)

There are no real words for how incredible the SNAG conference was. Even if I didn't have pieces in the shows, it would have been worth the trip. To be in a room with that many serious artists/artisans was divine. Being around other artists is one of the most incredible experiences, and gave me the sense of, "Hey, this is what's been missing from my life." And everyone was so nice. Really, where else can you find out that Andy Cooperman is not only insanely talented, but also a really awesome person? Where, I ask you?!

Of course, the biggest thrill was seeing my pieces go down the runway in the eXtreme Exhibition in Motion show. (Click for the short video of all the pieces.) In fact, I was initially only supposed to have two pieces in the show, the Dragon Lady beaded armor, and my chainmaille shrug, however, because one of the designers wasn't able to make the show, the Egyptian collar I was wearing was given to another model to wear. It was a Cinderella moment.

My beaded talons were also featured as a part of the eXtremities: Exploring the Margins of the Human Body exhibit. I really loved this show. Many of the pieces captured this longing to overcome the limits of the human body. While I always wanted claws, someone else wanted to be a unicorn, and a lobster. I guess we're all looking for something a little more magical.

I'll wrap up this post about SNAG by giving a big thanks to Andy Cooperman, David Gooding, Barbara Kile, Angela Gleason, and
Suzanne Ramljak, all of whom I was able to meet, and all of whom made my conference experience that much better.

Oh, before I forget, I made something today, too: a choker from my new "Bubble Series."

Vanessa Walilko
Kali Butterfly - Chainmaille armor, beaded armor, and art jewelry